An Evening with Neil Gaiman (and Amanda Palmer!)

Neil Gaiman’s got a new book out. This is a cause for celebration in my world, an event that needs to be celebrated, preferably by myself, in a comfortable chair or even better, my bed, with a hot cup of coffee and complete solitude.

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Gaiman kicked off what he says is his last U.S. book tour last night, with an appearance at the Brooklyn Academy of Music. I was lucky enough to be in the audience. The house was packed with excited and dedicated fellow fans, and when Peter Aguero, from the “improv, storytelling rock band” BTK took the stage to introduce Neil, the crowd response was amazing.

Neil took the stage, thanked everyone for coming out, and told us he had “one and a half surprises” that night. He read a chapter from The Ocean at the End of the Lane, and proceeded to introduce his wife, Amanda Palmer. Who received almost as passionate a response as Neil did. For those of you who may not know, Amanda Palmer, indie rock goddess, and Neil Gaiman have the cutest, sappiest marriage in the history of ever. They kissed, hugged and cuddled a few times on the stage, and the looks that passed between the two of them were just adorable. They adore each other, and they’re funny as anything together. I didn’t get a chance to see their “An Evening with Neil Gaiman and Amanda Palmer” tour two years ago, so I felt like I’d really witnessed something special last night.

Palmer performed a song she’d recently written, and then Neil came back on stage to announce his “half” surprise – Amanda would stay and do the Q&A with him. The questions were fairly insightful, as were Gaiman’s answers, and before too long, he was kissing Amanda goodbye – for real, they’ll both be on tour for the next six months or so – and reading one more passage from the book, before saying good night – or see you later, if you were going to wait around to get your book signed.

The line ended up leaving the building and wrapping around the block, but fortunately, I was on the earlier part of the line and waited only about 40 minutes. I got my book signed, and mustered the power of speech for long enough to thank Mr. Gaiman for everything he’s ever written. He looked up, gave me a kind smile, and said, “Well, you’re welcome.” And those three words, ladies and gentlemen, made my little fangirl heart explode.

I’m off to read my book now. The coffee’s ready, and the kids are in bed.

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So that happened… Angela debuts in Age of Ultron #10

Full disclosure: I am an unabashed fan of both Neil Gaiman and his character, Angela. When the news hit that Neil Gaiman had won the rights to his character, I was thrilled. When I heard that she was making her Marvel Universe debut, I was… concerned. How was she going to fit in with this universe? I’ve been reading Age of Ultron from the first issue, and there was nowhere in this story I could see her just showing up, and having it work. But I kept the faith. I held on as I progressed through Age of Ultron, trying to figure out where she’d fit.

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I won’t go into spoilerific details, but if you’ve been following the series, you know the deal: Ultron ends the world, basically. Surviving Avengers go back in time to try and change things, and we know what happens when people do that. A couple of alternate realities later, Wolverine and Sue Storm are pretty sure they’ve figured out how to make it all right. Enter Deux ex machina, and thus we readers enter into the post-age of Ultron titles, as Marvel promotes throughout the book and with a hell of a big cameo at the almost-end of the book.

And then, to paraphrase Pokemon, a Wild Angela appeared! I wish I could tell you I was joking, but that’s how it felt to me. All of a sudden, there she was – no explanation, no lead-in, just… yeah. I was left feeling let down. I love Angela, and am happy that she’s back in comics, but I’m a person that needs a reason. Tell me why she’s there. Give me a good story, and I’ll follow you.

There’s still hope – Gaiman is penning her appearance in Guardians of the Galaxy, another title I’ve been reading and enjoying. Come on, Neil. Give me hope.

Bottom line: If you’re buying the issue just to see Angela, you’re not going to know what’s going on. If you’ve been following the series so far and were buying it anyway, you’ll be okay.

Age of Ultron #10
Writer: Brian Michael Bendis
Artist: Brandon Peterson/Joe Quesada
Format: COMIC
Price: $3.99
UPC: 75960607494501011
On Sale June 19, 2013
Publisher Marvel
Diamond Id: APR130589

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Threat Level – Wednesday!!! New Books Hit the Shelves!

Bob’s picks for the Week *

Marvel:

Age_of_Ultron_Vol_1_10_TextlessAge of Ultron #10

Why?: I’m looking forward to putting the final nail in the coffin of Bendis’ Avengers tenure. Can’t wait to see the shoe-horning-in of Angela into the Marvel Universe. I don’t want to be disappointed with this, but with my feelings towards Bendis’ writing … I’m not holding my breath. Plus its blacked bagged which for Marvel promises… Well nothing. ( FF #587. Black Bag. “Death” of Human Torch, no body shown, back in less than a year. Uncanny X-Force #18. Black Bag. “Death” of Archangel. Rebirth same issue. ) Guessing it will end most crossovers: Back to status quo and no real ending just a push for the new follow books.

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Avengers #14

Why?: Because Hickman can do no wrong. Everything about this run is great. Although Spencer is helping him out with the duties on this, I don’t think this will affect the awesomeness of the book. Whatever concepts of Kirby’s he didn’t get to in his FF run, he is pulling out here. Throw in Hyperion, Captain Universe and some New Universe stuff
and you have the breath of fresh air the Avengers titles needed.

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New Avengers #7

Why?: Because Marvel wisely gave Hickman the Avengers as his sandbox and its hasn’t been this inspiring in years. Using the Illuminati to showcase the cosmic large-scale concepts of the MU was a smart move. This book will blow your mind with its concept and scope.

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Xmen: Legacy #12

Why?: Because Simon Spurrier has taken Legion (Professor X’s schizophrenic omega level mutant son and former villain ) and put him through a psychedelic Grant-Morrison-like adventure that ties beautifully in the current X-verse but can totally be read on its own.

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D.C.

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Batman and Batgirl #21

Why?: Because Peter Tomasi has been in Morrison’s bat shadow for far too long.
GM might have created and killed Damian, but nobody wrote more poignant and touching scenes between him and Batman or showed his progressive character change better than Tomasi. I liked this one shots focusing on Batman and his allies after the death of his son and Tomasi captures the relationships perfectly.

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GL-NGGL: New Guardians #21

Why?: Because Kyle Rayner rocks! That and Justin Jordan’s writing and Brad Walker’s art are good choices to take him and his role in the GL universe in a new direction starting this issue.

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WW_Cv21_kq5bgcm1ut_Wonder Woman #21

Why?: Azzarello and Chiang have taken Wonder Woman’s mythological roots and made them the forefront of the story. It’s been strong and steady from the beginning with Azzarello’s snappy dialog and Chiang’s stylistic designs for the gods and monsters. Oh. And Orion is in it. Orion

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100_bullets_Brother.Lono-1_j5wj2hxqrq_Brother Lono #1

Why?:
Azzarello.
Risso.
100 Bullets

Nuff said!

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Independent

Dream-Thief_2Dream Thief #2

Why?: I grabbed the number 1 of this at the behest of my and enjoyed it. The protagonist has blackout periods were he kills evil people, somehow knowing what they did and the judgment they deserve. His powers and skills increase with each kill as he hunts down criminal after criminal while trying to figure out what happened to him.

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WBY1Wild Blue Yonder#1

Why?: The art caught my eye and the concept, a steam punk jet pilot chick fighting for freedom in a post apocalyptic future seemed to good to pass up.

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Last Week’s Sleeper Surprise:

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Masters of the Universe:
Origin of Hordak #1

This slipped past me last week and I just happen to glance through it and my central cortex shut down. Giffen and Koblish’s art is astoundingly Kirbyesque. Krackle abounds in giant energy-strewn splash pages. I haven’t cared about anything He-Man since Dolph Lundren… But I scooped this up just for the visuals alone

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Danger Girl: Trinity 3 – Like Bond Girls, but Better.

I was a Gen13 fan back in the ’90s, but I missed out on Danger Girl‘s first run. Needless to say, I was excited to see this title in my inbox, because I always enjoy something good from J. Scott Campbell and Andy Hartnell, Danger Girl‘s co-creator.

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The Danger Girls are a group of secret agents. Take a Bond Girl, add a dash of Lara Croft and a pinch of Indiana Jones, and you’re on the right track. In Trinity, the girls are working on their own missions, but we see, in issue 3, that they start to come together again as they search for one of their own, Abbey Chase. I don’t want to get too spoilerific here, but there’s a lot of action in this issue as the three storylines come together. Abbey’s story is key to the 4-issue series, and it looks like she’s gotten herself into a bit of hot water. Are the other Danger Girls going to be able to bail her out?

The art is fantastic. J. Scott Campbell is doing the cover art, and man, I missed him. Each issue has a different Danger Girl on the cover, and Sonya Savage has cover duties this month. There are three artists working on this title, each handling a different Danger Girl – it’s an interesting concept, and Stephen Molnar, Harvey Tolibao, and John Royle each give their Girl her own personality without disrupting the book’s flow. The transitions are smooth and the artists’ work complements one another. Andy Hartnell’s writing keeps the story moving and the dialogue fresh. I especially liked the interplay between Sonya Savage and her prisoner, Dallas – lots of fast-paced, screwball comedy dialogue that always makes for a good read.

This book hits shelves tomorrow, so join me in picking up a copy. I think I’ll check out the back issues boxes to see if I can get hold of issues 1 and 2, while I’m at it.

Danger Girl: Trinity #3
Writer: Andy Hartnell
Artist: Stephen Molnar, Harvey Tolibao, John Royle
Cover Artist: J. Scott Campbell
Format: COMIC
Price: $3.99
UPC: 82771400453300311
On Sale June 19, 2013
Publisher IDW
Diamond Id: APR130395

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Joss Whedon’s Much Ado About Nothing – Acker and Denisof alone are worth the price of admission!

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I am a geek for all seasons. A movie geek, comic geek, book geek, tv geek and yes a Shakespeare geek. As someone who embraces my femininity, strength and natural nerdiness I of course worship at the altar of Joss Whedon, producer, director, writer and geek provocateur. These things taken together add up me dying to see his version of “Much Ado About Nothing”.

Right out of the gate I was smiling because there in the credits were all my old friends, Mal, Fred, Wesley, Simon, Topher and Agent Coulson. Of course they went by their muggle names, Nathan Fillion, Amy Acker, Alexis Denisof, Sean Maher, Fran Kranz and Clark Gregg. It was like seeing my buddies put on a play in their backyard. Of course the backyard was actually Joss Whedon’s beautiful house but still the feeling was there.

The movie was made in 12 days at Whedon’s place. In between the end of shooting on Avengers and the editing of that film. Joss needed to decompress so he gathered some friends and played. Being actors, the way they played was to act and what better play to play with than one of Shakespeare’s comedies.

alexis“Much Ado” is a bit of a dark comedy for Shakespeare. Maher plays a power player who wishes to destroy someone else’s happiness for the thrill of it. No other real motivation is given for his acts, there is some reference to class issues but even he doesn’t seem to take them that seriously. Amy Acker and Alexis Denisof are the heart of the film as the bickering non-couple, Beatrice and Benedict, who you know from the beginning are made for each other. Whedon shows us a history there that gives their bickering more heat. Fran Kranz and Jillian Morghese play Claudio and Hero, the more innocent, romantic couple who are the focus of Maher’s evil plot.

The modern setting works well for me as costumes can become distracting. This lets the actors be the focus. The whole thing is played as a screwball comedy, with sex being a major player. This is a very sexy Shakespeare and it works extremely well with the story being told. The actors are fantastic, the dialogue sounds completely natural coming from their mouths. Quick, quippy and biting. It was so good my son and I were trading one liners from it like we do with modern comedies and action films. They are so good at what they do, that within the first few minutes the language sounds almost normal to the ear, not at all what it sounded like when read aloud in English class.

Shakespeare is always better performed than read and this snappy, quickly put together version with a bunch of “television actors” is absolutely one of the most fun film versions I’ve seen of any Shakespeare play. If you’re not a big fan of Shakespeare give it a try anyway, the physical comedy of Acker and Denisof alone is worth the price of admission but I bet you’ll find yourself laughing in all the right parts in spite of yourself.

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Comic Book Word of the Month – Kryptonite!

By Robert “Rob Base” Greenwood

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Kryptonite is a material from DC comics very own Superman mythology. The ore form of a radioactive element from Superman’s home world of Krypton. It is famously known for being the ultimate natural weakness of Superman and most other Kryptonians.

The word Kryptonite has since become known as an Achilles’ heel, the one true weakness of an otherwise invincible man.

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The concept of Kryptonite was conceived in an unpublished 1940 story “The K-Metal from Krypton”, by Superman co-creator Jerry Siegel. The K-metal in the story was a piece of Krypton which robbed Superman of his strength while giving humans superhuman powers, a plot point which decades later made its way into the Smallville.

Jerry Siegel also stated that the name of the planet Krypton was taken from the element Krypton due to the common denominators of high density and viscosity between the two.
(Yeah I don’t quite get it either. Science > Rob Base)

The first “published” use originated in the Superman radio series in June 1943 in the story arc “The Meteor from Krypton”.

Kryptonite covers a variety of colored substances, but usually refers to the most common “green” form. The material is usually shown as having been created from the radioactive remains of Superman’s home planet Krypton, and generally has adverse effects on Superman.

As well as it’s use as a plot device and some “rumors” state it was also a means to allow Superman’s voice actor, Bud Collyer, to take occasional time off. (which was for the most part been debunked -  check Comic Book Urban Legends Revealed #76 )

It would take many years for the big evil K -word to make it into the comics. It wasn’t till 1949 that comic book writers incorporated Kryptonite into their stories, as a new danger and weakness for Superman and to add an “interesting” element to his stories.

Editor Dorothy Woolfolk claims she brought Kryptonite to the comics. She told the Florida newspaper “Today” in August 1993 that she had found Superman’s invulnerability dull, and that DC’s flagship hero might be more interesting with an Achilles’ heel (So to speak) such as adverse reactions to a fragment of his home planet.

By the end of the 1940′s comic book heroes became passé and needed to stay relevant in a changing landscape. Kryptonite helped Superman not only stay relevant but made him seem more fallible.

Kryptonite, in its first comic appearance (Superman #61, in 1949), was a rare and unique. It came to earth inside a single meteorite from the exploded planet Krypton. Superman captured the two small pieces of Kryptonite, one from a fake swami (pretending to “hex” Superman with it) and another he purchased from a jewelry store, (wonder what the value of Kryptonite was in 1949?)  and threw them into Metropolis’ river.

Overtime, Kryptonite was depicted as being so abundant that many two-bit criminals kept a stock pile as a precautionary measure.

Later it was explained that the explosion of the planet Krypton had opened a “dimensional warp” (similar to a wormhole) which allowed the ship that was carrying the young Kal-El to reach Earth in a relatively brief time, and a large amount of planetary debris had also passed through this “warp” and emerged near Earth at virtually the same time, accounting for the seemingly improbable abundance of Kryptonite material and its availability to Superman’s enemies.

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Kryptonite is most commonly depicted as green in coloring, with a few exceptions; it was red in its first appearance in Superman #61 (November 1949). When Superman followed the time trail of a piece of red rock that weakened him, he was able to trace his origin back to Krypton for the first time. Other colors of Kryptonite, having different effects, began to show up frequently beginning in late 1950s comics, reaching a peak in appearances in 1960s Superman series.

To reduce the amount of Kryptonite used in Superman storylines, all known Kryptonite on Earth was transmuted into “k-iron” in a 1971 storyline titled “The Sandman Saga”, though Kryptonite could still be synthetically manufactured by a variety of known and unknown means, and additional material left over from the destruction of Krypton would continue to fall from space.

In the years to come, Kryptonite would continue as a thorn in the side of our big blue hero. Though after John Byrne rebooted the Superman mythos (after Crisis on Infinite Earths), Kryptonite became much rarer in the DC Universe and many of the multicolored varieties were eliminated.

Yet it wouldn’t stop future writers and editors from messing up the K-Metal from Krypton.

TheColorsManTheColors

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X-Files Season 10 #1 – We Want To Believe!

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I missed out on X-Files when it was on the air. I’m not really sure why, I think it was just one of those periods of my life where I didn’t watch much TV. Silly me, I try not to let that happen anymore. I did see the film, which I enjoyed and it’s always been on my list of shows to catch up on. A few months back I started watching it on Netflix and I am, of course, hooked.

So it was with the zeal of the newly converted that I read the first issue in the new X-Files Season 10 comic series. The series takes place after the movie and is being executive produced by X-Files creator Chris Carter. Issue one opens with Dana Scully on the run from pursuers. In the following pages we flashback to earlier that day to see where Mulder and Scully are in their lives since we saw them last.

The couple have landed in the suburbs. Scully is a practicing physician. Mulder seems happy and settled and not looking over his shoulder at all times. At least until an old friend comes to pay a visit and all hell breaks loose. It seems there’s been a break in at the FBI and the X-Files have been compromised.

This all felt very familiar, in a good way, to even me who is not yet a seasoned viewer of the show. Scully and Mulder seem very much themselves even in this new, mellow setting. The set up was brief and the plot established quickly. I was completely enthralled from the very first page.

I enjoyed the Buffy season 8 series initially but I must admit I gave up about halfway through its run. The stories somehow weren’t as captivating after a while but I definitely enjoyed it while I read it. The same may happen with X-Files but for now I’m hooked. It’s a great first issue and an engaging first story arc. I’ll be adding it to the pull list. I realize I may end up spoiled for episodes I haven’t seen yet but I suppose that just means I should step up my viewing schedule to catch up!

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X-Files Season 10 #1
Writer: Joe Harris
Artist: Michael Walsh
Cover Artist: Carlos Valenzuela
Format: COMIC
Price: $3.99
UPC: 82771400475500111
On Sale June 19, 2013
Publisher IDW
Diamond Id: APR130303

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A Rob Base Non-review: Why I can’t review the Transformers books…

By Robert “Rob Base” Greenwood

I have been a life long Transformers collector and enthusiastic about all its properties (except for the Michael Bay stuff).

Up until the first Bay film, I had over 7000 unique pieces of Transformers toys. I also had every single comic and a few imported books from Japan and one even from Korea.

My love for this property has led to people referring to me as a purist. This really couldn’t be further from the truth.

I accept all the Transformers incarnations. Be it G1 or Prime, I have followed this property with open eyes. I remember the first Transformers comic I got and how utterly confused I was as a kid because the comic didn’t follow the cartoon show.

Heroes like Grimlock where highly intelligent and not some dumb Dinobot. Villains like Rabbat lead the evil Decepticons into battle.

IDW has done an amazing job with the continued adventures from these old Marvel books. But I feel its important to know that if you are a new fan these issues will not help you catch up on the franchise.

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So if I was to review each issue I’d be forced to do a 6 page catch up/History lesson on all the books to date. No casual fan can just jump on without reading the Transformers wiki for days.

So I say if you love the Transformers and grew up as a G1‘er you will love the current crop of comics.

If not you better be ready for a history lesson.

Follow me on Twitter @AltMindz

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Chris Claremont! John Bolton! Marada The-She Wolf Collection! Titan Comics!

CHECK THIS OUT!

Brand-New Collection

 FROM X-MEN WRITER CHRIS CLAREMONT AND AWARD-WINNING ARTIST JOHN BOLTON COMES MARADA THE-SHE WOLF!

The fantasy classic collected together for the first time ever! Featuring beautiful, fully-restored art, in depth features, history and never-before-seen sketches and artwork!

Titan Comics is pleased to announce the launch of Marada The-She Wolf by Chris Claremont (The Uncanny X-Men; Excalibur; Captain Britain; Fantastic Four; Gen 13,Sovereign 7) and John Bolton (Man-Bat; Shame: Pursuit; Books of Magic).

Hitting stores on November 12, 2013, comes the shield-shattering saga of Marada the She-Wolf – white-haired, blood-soaked swordswoman and mercenary, object of unearthly desire and descendant of Julius Caesar!

Chris Claremont is one of the best-known writers currently working in comics. His work includes The Uncanny X-MenCaptain BritainFantastic Four and Gen13. During his 17 years as X-Men writer, Claremont co-created characters such as Rogue, Psylocke, Mystique, Emma Frost, Sabretooth, Gambit and many more!

Claremont has written many classic X-Men stories, including those which are providing source material for this summer’s The Wolverine movie, starring Hugh Jackman, and summer 2014’s hotly-anticipated X-Men: Days of Future Past, directed by Bryan Singer and starring James McAvoy, Michael Fassbender, Jennifer Lawrence and Nicholas Hoult.

John Bolton is an award-winning comic artist and illustrator. He has collaborated with some of the industries most prestigious comic writers, such as Neil Gaiman on The Books of Magic for DC Comics, Mike Carey on God Save The Queen for Vertigo DC Comics and Clive Barker on Hellraiser.

From the world of film Bolton has worked with Robert Zemeckis, Sam Raimi and Jonathan Glazer.

Descended of Caesar, and preceded by her legendary reputation as a warrior,Marada The-She Wolf follows Marada’s adventures across the Roman Empire. Together with her magical accomplice, Princess Arianrhod, they battle evil demons, wizards, witches and unearthly terror! Check out the teaser trailer here

Collected together for the first time ever in one deluxe hardcover and featuring beautiful restored artwork by John Bolton and never-before-seen sketches and artwork! This is the ultimate vision of the ultimate fighting fantasy female!

“I look through these pages and I’m reminded, most eloquently, just how gifted John Bolton is as an artist, how breathtakingly skilled he is at evoking character and event, how powerfully and also subtly he can present a scene,” says writer, Chris Claremont.

Marada The-She Wolf hits stores on November 12, 2013. The collection will also be available to read day and date on the iPad, iPhone, Web, Android and Kindle Fire, exclusively through the comiXology app and comiXology.com.

Retailers can order Marada The-She Wolf from the July edition of Diamond PREVIEWS (order code: JUL131283).

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Rex Zombie Killer, a Golden Retriever, a small pack of animals, and a bat-wielding Gorilla – from Big Dog Ink

This article originally appeared at alternativemindz.com

Rex, Zombie Killer

Writer: Rob Anderson

Artist/Cover Artist: Dafu Yu

From the full-page ad in February’s Diamond Previews:

In the wake of a zombie apocalypse, a Golden Retriever and a small pack of animals, accompanied by a bat-wielding gorilla, attempt to cross the country to find safety. But they’ll face many dangers, including a group of outlaw bikers! Homeward Bound meets The Walking Dead in this double-sized one-shot!

Looking for more zombies? I wasn’t but I’m glad I this book crossed my desk. Slick art, check. Really well written? Check. We may not get a ton of back story or set up in this one shot, but what we do get is lots of ape with a baseball bat type zombie bashing!

Our cast of characters:

We’ve seen animal teams before We3 and Beasts of Burden are great examples. What drew me in immediately in this book was the team dynamic or the lack thereof. The animals aren’t written simply, they all have very distinct personalities and the dialogue seems very natural. This a rocky group, the pack mentality hasn’t kicked in yet. Watching Rex be a leader, the voice of reason, the big brother, the peacemaker, and the tactician all while trying to get where he wants to go really works. Kenji’s naïvety, Brutus’ bravado, Buttercup’s optimism, and Snowball’s snotty aloofness make for an interesting combination. This book definitely doesn’t skimp on the zombie action. Rotters are all over the place and our heroes have to learn to think quickly and work together to keep themselves steps ahead from the shambling hoards. Throw in a group of nut-job bikers with a really sick idea of fun and you’ve got a book that keeps you turning pages and leaves you wanting more.

Post apocalyptic books are always an interesting playground, a great backdrop to showcase the human condition. I think by giving us a bunch of non-humans to follow Rob Anderson shows us a different and refreshing view of the usual zombie apocalypse. If all this sounds as good to you as it does to me get to your local comic shop order this book. The release date is April 25th. Stop by the website www.rexzombiekiller.com, it’s a great website with a lot of preview material and background stuff.

Format: ONE-SHOT
Price: $3.50
UPC: 013964387490

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